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52 Tuesdays — film review

52 Tuesdays — film review

52 Tuesdays — film review
August 11
01:03 2015


A provocative film about a teenage girl’s sexual exploration from Australian director Sophie Hyde

Del Herbert-Jane and Tilda Cobham-Hervey in ’52 Tuesdays’

It seems only yesterday that teenage girls had sexual “awakenings”. Today, in some films, they don’t just awaken: they leap brashly and unstoppably out of bed (or into someone else’s) at first cock call. Tilda Cobham-Hervey is superb as Billie, the experimenting 16-year-old — pretty, plucky, self-willed — in 52 Tuesdays, which won a best director prize for Australia’s Sophie Hyde at last year’s Sundance Film Festival. Billie’s mother is going transgender; Billie’s uncle has trans tendencies. Obviously this is Adelaide’s ACDC postal district. Not to be out-ventured, the girl makes a sex video with a boy and girl from school.

Hyde’s film is provocative in order to provoke our questioning. What’s taboo and what isn’t? Where do the frontiers of sexual exploration and fulfilment stop and who makes the laws? 52 Tuesdays is shot with a home-movie naturalism unpolished and unsettling. The “nowness” of style is the film’s power. That and its skilfully seesawing seriocomical tone.

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